MONOGRAPH I, 2023
ANDREW DOSUNMU - MONOGRAPH I 2023
Color / Retouch for publication.
Edited by Beatrice Dupire. Conversation with Arthur Jafa.
‘The first retrospective volume on the photography of the internationally acclaimed Nigerian filmmaker, photographer and music-video director Andrew Dosunmu, Monograph looks back at 20 years of previously unpublished and sumptuously colorful portraiture and more, including stills from music videos and the 2022 Netflix film Beauty. Dosunmu has published his photography with iconic music and fashion magazines such as The Face, Vibe, Fader, Vogue Hommes, Paper and Interview, and has been commissioned by international brands such as Nike and Adidas. Throughout his career, Dosunmu has developed a prolific personal body of work that until now has never been published, though it has been sought after by private collectors and museums. The images compiled in Monograph portray uniquely stylish individuals in Dakar, Mumbai and Cartaghena. United by Dosunmu’s acute instinct for color into a compelling aesthetic vision, these portraits celebrate global culture with tremendous sensuality.’
DIESEL FRIED CHICKEN, 2018
ROB HANN - DIESEL FRIED CHICKEN 2018
Color / Retouch for gallery exhibition and publication.
TINA BARNEY, 2017
TINA BARNEY 2017
Color / Retouch for Paul Kasmin gallery exhibition and publication.
RIZZOLI. September 19, 2017
Covering three decades of the artist’s provocative yet intimate large-scale color images capturing the domestic life and private moments of the American and European elite—her family and friends—this book will appeal to contemporary-art lovers, photography book collectors, and anyone
with an interest in modern culture.
Internationally acclaimed American artist Tina Barney burst on the scene in the early 1980s with her provocative yet intimate photographs capturing the domestic lives and social rituals of the elite. In choosing color over black and white and producing large-format prints, she broke the tradition of established fine-art photography at the time. Her unstintingly honest portrayal of her subjects, many of whom are family and friends, remains completely original.
Straddling the line between candid and choreographed photography, between engagement and detachment, she captures her subjects in a range of rarefied settings, both private and public. Her iconic tableaux suggest rich narratives or, as she has written, the “synchronization of psychological, emotional, and sociological plots that bind a family together.” Long awaited, this lavish survey is the most definitive book to date on Barney’s work.
About The Author
Tina Barney began her career in the mid-1970s when she started photographing in color with a large-format view camera. Her iconic images are in the permanent collections of numerous institutions including the Museum of Modern Art, Whitney Museum of American Art, Los Angeles County Museum of Art, and Museum of Fine Arts, Boston, among others. Recent solo exhibitions include The Europeans at the Frist Center in Nashville, the Barbican Centre, London, and at the Museum of Art, Salzburg. Peter Galassi is a former chief curator of photography at the Museum of Modern Art, in New York.
SALVATION, The Holy Land, 2016
ANDRES SERRANO - SALVATION. The Holy Land 2016
Color / Retouch for gallery exhibition and publication.
Andres Serrano (*1950 in New York), one of the most celebrated representatives of international contemporary photography and art, achieved major prominence for his work Piss Christ which to this day has not lost any of its unsettling impact. Religion, sexuality, and death are pervasive elements of his oeuvre. Raised as a Catholic in Williamsburg, Brooklyn, he became curious about the Hasidic community there from an early age. An invitation to Israel also expanded his artistic strategy: using a Mamiya RB67, he approached the subject of religious faith via the landscape and the people. He visited sacred sites, Bethlehem, Galilee, and the Dead Sea; came closer to people step by step, picture by picture, following them through their everyday lives and to celebrations, to ultimately depict the traces of the identity of an entire nation in their faces in intense studio photographs. Striking testimony captured on film shortly before the resurgence of the Middle East conflict.
Exhibitions: Royal Museum of Fine Arts of Belgium, Brussels, 18.3.–21.8.2016; MEP, Paris, Fall 2016
Additional work color and retouch for exhibition: